DANA MICHEL
MIKE
DANA MICHEL
MIKE
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Création et interprétation: Dana Michel
Activateur·ice·s artistiques: Viva Delorme, Ellen Furey, Peter James, Heidi Louis, Tracy Maurice, Roscoe Michel, Karlyn Percil, Yoan Sorin.
Consultant scénographie - Direction technique: Romain Guillet
Consultant son: David Drury
Production: SCORP CORPS - Viva Delorme, Dana Michel
Distribution: neon lobster – Giulia Messia & Katharina Wallisch
Coproduction: ARSENIC - Centre d’art scénique contemporain (Lausanne, Switzerland / Suisse), Centre national des Arts (Ottawa, Canada), Festival TransAmériques (Montréal, Canada), Julidans Amsterdam (Netherlands / Pays-Bas), Kunstenfestivaldesarts (Brussels, Belgium / Bruxelles, Belgique), MDT (Stockholm, Sweden / Suède), Montpellier Danse (France), Moving in November, (Helsinki, Finland / Finlande), Wexner Center for the Arts of The Ohio State University in Colombus (United States of America / États-Unis d’Amérique).
Résidences de création: Alkantara (Lisbon / Lisbonne, Portugal), ANTI Festival (Kuopio, Finland / Finlande), Centre national des Arts (Ottawa, Canada), Kinosaki International Arts Center and Kyoto Experiment (Japon / Japan), Kunstenfestivaldesarts (Brussels, Belgium / Bruxelles, Belgique), Künstlerhaus Mousonturm (Frankfurt, Germany/ Francfort, Allemagne), Montpellier Danse (France)
creation residency at Agora, cité internationale de la danse,
with support from BNP Paribas Foundation, RIMI/IMIR SceneKunst (Stavanger, Norway / Norvège), Shedhalle (Zürich, Switzerland / Suisse)
with the kind support of Tanzhaus Zürich and the Embassy of Canada to Switzerland, The Chocolate Factory (NYC, United States of America / États-Unis d’Amérique).
The creation of this work is being made possible thanks to the financial support of Canada Council for the Arts, Conseil des Arts et des Lettres du Québec, Ministère des Relations internationales
et de la Francophonie and Conseil des Arts de Montréal.
The creation and production of MIKE is a commitment to highlighting the idea that without trust in ourselves and in others, it is impossible to safely live public lives that reflect our interior lives. We are sure to stagnate in a state of half-life and disharmony… gridlocked in the endless traffic of not knowing how to respect or even truly recognize the other. WE MUST LEARN HOW TO TRUST THE OTHER. We must first trust OUR «TRUE» SELVES in order to do this work.
Dana Michel is a live artist. Her works interact with the expanded fields of improvisation, choreography, sculpture, comedy, hip-hop, cinematography, techno, poetry, psychology, dub and social commentary to create a centrifuge of experience.
Before graduating from the BFA program in Contemporary Dance at Concordia University in her late twenties, Michel was a marketing executive, and a competitive runner and football player.
In 2014, she was awarded the newly created ImPulsTanz Award (Vienna) in recognition for outstanding artistic accomplishments, and was highlighted among notable female choreographers of the year by the New- York Times. In 2017, Michel was awarded the Silver Lion for Innovation in Dance at the Venice Biennale. In 2018, she became the first ever dance artist in residence at the National Arts Centre, Canada. In 2019, she was awarded the ANTI Festival International Prize for Live Art (Kuopio, Finland). In 2022, the Canada Council for The Arts awarded her the Jacqueline-Lemieux prize in recognition of her contribution to dance in Canada